♪♪ ♪♪ ♪♪ -Welcome to Britain, the land of afternoon tea, croquet, and the fine fillies of Royal Ascot.

We're proud of our imperial history.

It's the very foundation of our standing on the world stage today.

Switch on your television sets, and you'll see this heritage paid glorious tribute in our many superb period dramas.

For, verily, the past puts the "great" into Britain.

-I do identify as British.

I was born here.

I've always lived here.

I think it's kind of false for people to feel like people like me, whose grandparents immigrated here or whose parents immigrated here, aren't British, 'cause, like, what else am I?

-My parents are from a British colony, um, thus inherently there are parts of me that feel affiliated with, like, British culture, but essentially Black British culture, which I think in and of itself is something separate.

-Um, I do actually feel very British, probably because I'm half White.

I was born in London and can actually trace my family back to 18th-century London.

-I think I used to feel really comfortable saying that I was British because it wasn't being English, and English feels like something I'm not.

It feels like being White, whereas being British used to feel really multicultural and really safe.

But that felt like it changed with the EU vote, and I didn't feel British then.

I think the way that Black people are portrayed in the British media means that we're either persecuted or being the ones that are doing the violence, and we're never really shown with any nuance.

And I think recently I've noticed all the things that are being shown around queer stuff, I think, is just still really White and still really mainstream and not really showing like the diversity of the queer scene.

-A lot of it is like British heritage, period dramas.

Very seldom do I see, like, queer people of color being represented, let alone differently abled people, Muslim people.

Just it's a very narrow space.

-British TV shows at the moment that speak to me?

[ Chuckles ] -The only thing I can really think of that represented me in British media was "Bend It Like Beckham."

It was a really long time ago.

-Since "Sugar Rush," I've not really found anything that I'm into or that speaks to me and my identity.

I don't see myself on British screens.

-It's important to know the past so that you can appreciate the present.

The way that this country was built on the backs of colonized people, enslaved people -- that's really important.

It's not a nostalgia in the sense of missing that time.

It's an appreciation of those people's lives.

-I think the effect of period drama is to create a national myth, so it's about the stories that we tell ourselves, which is fine and I think it's an important thing to do.

But equally, if you don't see yourself in those stories, you then become the other, and that can have a political and social effect.

-People watch these period dramas and they get nostalgic feelings of times they weren't even born in and they could never in a supremely way understand.

When the masses around you enjoy a kind of nostalgia rooted in classism, imperialism, and racism, yes, it is harmful.

-I actually have to think about period drama a lot because I make period TV and film.

And it's tricky because when you're making drama, it's a commercial business and you're making things that you want the audience to enjoy.

-It feels to me as though we're less comfortable remembering our colonial history, and I think that's really problematic.

It feels like there is a long history of people of color being in this country, hundreds and hundreds of years of that history and that's not remembered.

I think those kind of shows -- and not necessarily just those shows, but just repeating only those shows -- erases us, and it's really problematic.

-When you don't see yourself represented on screens, it just makes you feel invisible.

You have a whole section of society that's excluded.

It definitely doesn't help with making people feel kind of integrated into society if you're not represented, especially for the younger generations.

But then I suppose it's forced us to really solidify our own communities and go out and make sure that we're being represented.

[ Horse whinnies, indistinct shouting ] ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ [ Cheers and applause ] ♪♪ ♪♪ [ Bird calling, bell tolls ] -We are validating ourselves as a community because nobody else is doing it for us.

-I am a voice at the table, and certainly there have been moments when I've picked up on things which I think other people have missed and have made suggestions or decisions which have changed what has actually appeared onscreen.

-Part of what makes Britain and British identity great is queerness and Muslims being a really integral part of Britain, and that's the Britain that I'm a part of.

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